ART BIRTH CERAMICS

Est. 2020 — Mino, Japan

Lat. 35.36°N · Long. 137.18°E · Cat. 2020.04 — present

ART BIRTH CERAMICS — ABC logo etched onto plaster wall

A creative ceramics label
where tradition and innovation converge.

From Mino — moving between research and craft, between the artist's bench and the factory floor.

329 works in archive
Enter the archive →
tablecloth plate — a small stage for the table

§ 02 — Editorial · Pl. IV

Tablecloth
plate.

A small stage for the table.

A plate disguised as a table.
A soft drape of calm, holding a moment of delight.

A vessel wrapped in cloth — the gentle shadows of fabric translated directly into ceramic. Bringing the gesture of a kaiseki dish to the everyday table.

HINOMIYA — kiriko cut that elevates the table

Fig. IV — Tablescape with kiriko / shippō pattern

§ 04 — Collaboration · Hn-2025

Hinomiya.

A new Mino-yaki, etched with a kiriko pattern that catches the light.

"An encounter, a tie between people —
as precious as shippō itself."

HINOMIYA grew out of more than a year revisiting the workshops and factories of Mino — bringing together makers who had never quite met. Each side's strengths in conversation: "a slowly made mass-production." The forming uses industrial pressure-casting; the carving is Hijiri Tougane's 3D-CAD design, reading like a contemporary kiriko.

The clay is among the finest porcelain in Japan. Fired bare and polished by hand, the carved rim becomes translucent under light. Microwave-, dishwasher- and oven-safe (to 150°C) — refinement and function held in the same vessel.

Read HINOMIYA dossier → Yamaka Tōryō × Kuroda Mould × Mizuno (caster) × Mihagi Kōgei

§ 05 — Factory collaboration · Gn-α

G-E-N

元. — the origin, the beginning of things.

A project that bridges artist and industry — proposing a new value for Mino-yaki. G-E-N blends the mass-production technologies of Mino with the identity of an individual maker, letting creativity and function react like chemistry: a hybrid label.

The bisque body is the same traditional Mino blank used in mass production; on top of it, the ceramicist's hand adds the decoration. A Mino-yaki where function and aesthetic live side by side.

Maruasa Pottery × Ichiyō Tōen × Shota Miyashita

§ 05 ½ — Artist · Sm-01

Shota
Miyashita.

宮下 将太

Rooted in the ceramic territory of Mino, Miyashita builds a studio practice that crosses the line between the one-of-a-kind and the mass-produced — starting from the sensibility of an individual maker. From clay and glaze design through hand-work, machine forming, 3D printing, transfer printing and recycled materials.

View all works →
Shota Miyashita — mirror edge

Fig. VI — Mirror edge

05 ½ / 10

Glaze palette

Fig. V — 50 tones

06 / 10

§ 06 — Palette · Gz-50

50 glazes.

Choose the colour of your vessel — by glaze.

Metallic crystals. Kairagi crawl. Kannyū crackle. Foam. Drip. Each colour is composed in 0.001-gram increments and fired in 1°C steps. The physics and the time-signature of every glaze, set out as if in a dictionary.

FIG. — Glaze specimen chart

50 tones

▸ Click any tone to filter the archive by that glaze.

Glazes are composed in 0.001-gram increments and fired in 1°C steps. Even with the same recipe, position in the kiln and the rate of cooling change the face of the colour entirely.

§ 06 ⅓ — Categories · Cg-12

Browse by item.

Choose by where it sits at the table.

Bowls, mugs, plates, sake cups, plant vases, lamps — an index to the catalog by where the vessel takes its place.

See all 329 works →

Or use the filter sidebar for the full taxonomy.

§ 06 ½ — Artists · Hn-II

The makers.

Earth and glaze and fire — and the hands that face them.

Shota Miyashita — fractal kaleido

§ Artist I

Fig. VII

Shota Miyashita.

Ceramic Artist · Shota Miyashita

Ceramic artist. Founder of ARTBIRTH. Bridges industry and craft from a studio in Mino.

Rooted in the ceramic territory of Mino, Miyashita ties the sensibility of an individual maker to the technical capacity of the region's factories — building a practice that crosses freely between one-of-a-kind and mass-produced. He designs more than fifty glazes himself, controlling firing in 1°C steps to compose both the physics and the landscape of the colour.

As director of the G-E-N label, he produces collaborations between artists and the region's mass-production studios — Maruasa Pottery, Ichiyō Tōen and others. His range extends from clay and glaze design, through hand-building, wheel-throwing and slab forming, to 3D printing, transfer printing and recycled materials.

flora kaleido bowl maro mug tumbler sake cup lamp plant vase cutlery
Hijiri Tougane — recent works

§ Artist II

Fig. VIII

Hijiri Tougane.

Contemporary Artist · Hijiri Tougane

Contemporary artist. Weaves 3D-CAD sculpture into Mino ceramics from a Tokyo-to-Tōki passage.

Born 1989 in Tokyo. After studying sculpture at the Academy of Art University in San Francisco, he relocated to Toki, Gifu — the heart of the Mino-yaki region — in 2015. His work traces a singular line: connecting the curvilinear beauty of Victorian form with the 3D-CAD master-making he developed in the United States, and grafting both into ceramic.

cushion plate cushion tumbler HINOMIYA (collab)

§ 07 — OEM · Cm-VII

OEM &
Custom projects.

Rooted in Mino, ART BIRTH CERAMICS connects the sensibility of the artist to the technical capacity of the region's factories — proposing a new value for ceramic.

  • N° 01

    Clay & glaze R&D

    Material design

  • N° 02

    Forming & digital

    Hand, machine, 3D

  • N° 03

    Firing

    Kiln control

  • N° 04

    Graphic transfer

    Surface decoration

  • N° 05

    Recycled material

    Closed-loop ceramic

  • N° 06

    Factory alliance

    Industry partners

  • N° 07

    Brand direction

    Editorial strategy

§ 08 — About · Lat. 35.36°N

A label in
Mino.

ART BIRTH CERAMICS is a creative ceramics label that holds tradition and innovation in the same hand. Working through hand-building, machine forming and printing technology, we propose ceramic objects that belong in contemporary life.

Starting from the sensibility of an individual maker, then partnering with Mino's mass-production studios, we have built a practice that runs from one-of-a-kind through to industrial volume — a value that crosses freely between art and industry. Our materials are chosen for sustainability, including a near-100% recyclable ceramic body. We are looking to make a new place for ceramic — one that brings beauty and a quiet abundance into ordinary days.

Founder

Shota Miyashita — Ceramic artist

www.shotamiyashita.com →

§ 09 — Contact · Cn-IX

Get in touch.

For purchases, OEM, exhibitions and press inquiries — please write to us.

artbirth.jp@gmail.com